Kannywood hausa


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  • Highest Kannywood Movie Grossers
  • KANNYWOOD: 10 events that shaped Hausa film industry in 2020
  • Top 10 Richest Hausa Movie Actors in Nigeria 2021
  • Titsiye Akayiwa Jarumi Sani Sk Akan …. kannywood – Mufeeda Rasheed
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    It is the only regional movie industry in the country that has a name for itself and their actors being part of the much larger Nigerian movie industry known as Nollywood are among some of the most affluent in the country. Do stay with us. Ali is one of the most successful and most famous actors in the country currently. This Kannywood superstar has through his amazing talent, versatility, work ethic and on-screen charm, become a top name in both the Hausa movie industry and Nollywood in general.

    He is widely known as the King Of Kannywood, going by the informal title of Sarki Ali for his leading roles in many Hausa movies; and although he majors in Arewa movies, he also features prominently in many English films where his talents are very well appreciated in no small measure in Nigeria. He is hugely popular among many Hausa movie lovers in the country. Zango joined the movie industry in , and since then, he has not looked back.

    To his credit, this Arewa film actor has featured in over Kannywood movies, some of which include: Adon Gari, Basaja, Bayan Rai, Hisabi, Hubbi, to mention but a few. Zango won the award for best Kannywood actor in , he has also won many other awards to his credit.

    This Hausa movie actor is also a songwriter, dancer, and producer. This Arewa entertainer always gives his best when on the job to his numerous fans. He has never looked back since then. He is one of the most popular and best paid Hausa actors in the Arewa movie industry. Yakubu Mohammed is a reputable actor and a household name in both Kannywood and Nollywood, featuring in well over Hausa films and more than 40 English films some of which include: Lionheart, 4th Republic, Sons of the Caliphate and MTV Shuga which earned him several nominations and awards such as City People Entertainment Awards and Nigeria Entertainment Awards.

    He hails from Jos, the Plateau State capital, and he has so far acted in over Kannywood movies to date. This popular Arewa movie actor was born and raised in Kano State, the very State where Kannywood was born. He is today one of the leading figures in the Hausa film industry. This Hausa entertainment star is also a singer and songwriter.

    To his credit, he has over Hausa songs with many of them winning him numerous awards. He would later venture into Kannywood where he has starred in over 35 movies and has also won many awards for his impressive performances in movies.

    He is one of the few Hausa film actors that is a comedian and politician. This popular Hausa film actor is very good at what he does and his inclusion in this list comes as no surprise.

    He is not to be confused with the Nigerian senator of the same name. The actor is also a movie producer of repute in the Arewa movie industry.

    This Hausa movie celebrity is also a businessman and he has acted in over 50 Kannywood movies to date.

    Highest Kannywood Movie Grossers

    They are involved in a lively conversation in Hausa. The bedroom can hardly contain the film crew; the cameraman, sound engineer and director stand squeezed in between the bed and the vanity table. The spotlight pointed at the talking couple adds to the oppressive afternoon heat, but the actress does not break into a sweat.

    At the age of 22, Fatima Yola her stage name has played in tens of movies and is used to the hardships of filmmaking. She also knows the bounds of what is permitted on screen: Even though according to the script the couple are married, the actress keeps her distance from her onscreen husband and carefully avoids touching him.

    In traffic, the DVDs with their candy-coloured covers are big sellers, and it is not uncommon to see a film crew shooting scenes in the streets of Kano, the largest city in the north. This film industry has been coined Kannywood, after the city it originated in.

    According to statistics from the National Film and Video Censors Board, its movies make up about 30 percent of the films produced by the Nigerian-based film industry popularly called Nollywood, which is often portrayed as the third-largest in the world, after Hollywood and Bollywood. In one emotional flashback, the mother remembers how perfectly her little girl used to recite verses of the Quran.

    The second film features a father who realises his daughter is too precious to marry off to an old chief in the village and decides to put her through school instead. And in the third movie, so enigmatically subtitled that a non-Hausa speaker can only but guess the storyline, the actors occasionally burst into song, accompanied by background dancers in glitzy costumes.

    Kannywood treats the viewer to a mishmash of cultural influences. Before the local film industry came into existence in the s, northerners watched Hindi language films from India. The glamour of the Bollywood musicals has rubbed off on the Hausa movies, some of which feature singing and dancing. Many of these movies also denounce the hypocrisy of the ruling classes who preach piousness in public while sinning in private.

    Hausa movie plots are often based on soyayya novels, popular local romance novels mainly written and read by women. The love stories — soyayya means love — evolve around relationships and marriage. They also play a considerable role in the industry itself. These women have one thing in common: they all have to juggle their professional life and their reputation as women in a traditional Islamic society, albeit one that is changing as more and more women begin claiming public space.

    Parental approval Fatima Yola has just rounded up the bedroom scene in her movie, which is called Ankon Biki, after the clothes that wedding guests wear. The young actress recently moved to Kano to be in the hub of the film business. She does not live with her parents any more, which is unusual for an unmarried young woman in these parts.

    In the past, most Hausa parents did not support their daughters pursuing a film career, and many of the young unmarried women who started acting had run away from home — sometimes to escape a forced marriage.

    She lives in her parental house in Kaduna, a city south of Kano, and says her parents approve of her acting career. Then the director calls her name and she rushes back on to the set.

    Fatima Yola has just finished filming — scenes are rarely shot more than once — and comes out of the house to get some fresh air.

    Elderly actresses, therefore, are hard to come by, and the talented ones are in high demand. They turn up in every other Kannywood movie. One of these well-known faces is Hadiza Mohammed, who plays the mother of the leading actress in Ankon Biki.

    Elderly characters Hadiza Mohammed is in her 40s, and only plays elderly characters: mothers, widows, aunts and older sisters. These roles often surpass her age, but she has mastered the art of acting old: once the cameras roll, her voice cracks, her eyelids droop, and she dawdles like an elderly senescent person. Hadiza Mohammed is not married and still lives with her parents. When she started acting 15 years ago, neighbours and family members tried to persuade her mother to order her to give it up, but she never forced her daughter to do so.

    Why would you misbehave? Kannywood stars are invited to the UK and the US and big companies organise award ceremonies for us. Also, the Kano-based film industry is providing jobs and business to the city, something that went a long way towards improving public opinion of the profession.

    It helps that major mobile providers such as Glo and MTN have contracted Kannywood stars as their brand ambassadors in multimillion-naira deals. But that does not mean that Hausa movies are entirely uncontroversial. In fact, not more than 10 years ago, a moralistic backlash triggered by a sex scandal almost destroyed the local film industry. As is often the case in public fights about morality, the female body was the battleground.

    Blue movie In August , a video taken privately on a mobile phone was leaked online. It showed popular Hausa actress Maryam Hiyana having sex with her boyfriend. The Censorship Board came into existence before the scandal in , and is a combined initiative of the local film industry and the state government.

    It was a response to the adoption of Islamic law in Kano a year earlier. Under the law, filmmaking was under threat of being abolished altogether. In order to avoid that, Kannywood voluntarily subjected itself to stricter censorship. He announced stricter guidelines, such as the banning of married women from acting, while also requiring all women in the industry to have a male guardian who would be legally responsible if their ward broke the rules.

    Nigeria-based researcher Carmen McCain, who has extensively studied Hausa films in Kano, describes in an article about that era how the local censorship crisis drove filmmakers out of the state, as thousands of people in the industry were arrested, fined and sometimes jailed. The overly zealous KSCB executive lost his moral authority when the police caught him in a compromising situation with a young girl in his car, and Kannywood celebrated when, in , the newly elected governor appointed a new head of the Censorship Board.

    He is the current executive secretary of the KSCB, and used to be a filmmaker himself. What does that entail exactly? Song and dance are permissible, as long as there is no physical contact between the sexes.

    Everything — from the script, the rough draft to the final cut and the DVD cover — needs the approval of the board, and if there are any issues, the director will be asked to change a line, a scene or a too-revealing cover picture. The secretary-general defines the average of two or three corrections per film the board requires as minimal interference. Furthermore, he argues, since he took charge five months ago, not a single movie has been rejected, proving the industry and the board are no longer on a collision course.

    Empowering messages Censorship or not, Kannywood movies do transmit empowering messages to a female audience. Actresses openly showing their beauty also is emancipating in a society where female beauty is supposed to be hidden, she adds. The general public is more ready for social change than political and religious leaders. In spite of the high number of actresses, female producers are rare, let alone female directors. Married women who take up directing often find the limits of married life challenging.

    Until now, most female producers work with a male assistant to get things done on the ground. Getting funding to shoot a film is their biggest obstacle. Ali has several movie ideas but has not been able to produce any for years because she lacks the money, and the old-boy network of investors and grant providers is beyond her reach. The producer does feel that she and her female colleagues have made a difference in Kannywood, though.

    Men used to dismiss problems like domestic violence. We put that on the map. Male producers sometimes do not even provide lunch for their crew. They know they will eat good food.

    KANNYWOOD: 10 events that shaped Hausa film industry in 2020

    The young actress recently moved to Kano to be in the hub of the film business. She does not live with her parents any more, which is unusual for an unmarried young woman in these parts. In the past, most Hausa parents did not support their daughters pursuing a film career, and many of the young unmarried women who started acting had run away from home — sometimes to escape a forced marriage.

    She lives in her parental house in Kaduna, a city south of Kano, and says her parents approve of her acting career. Then the director calls her name and she rushes back on to the set.

    Fatima Yola has just finished filming — scenes are rarely shot more than once — and comes out of the house to get some fresh air. Elderly actresses, therefore, are hard to come by, and the talented ones are in high demand. They turn up in every other Kannywood movie. One of these well-known faces is Hadiza Mohammed, who plays the mother of the leading actress in Ankon Biki.

    Elderly characters Hadiza Mohammed is in her 40s, and only plays elderly characters: mothers, widows, aunts and older sisters. These roles often surpass her age, but she has mastered the art of acting old: once the cameras roll, her voice cracks, her eyelids droop, and she dawdles like an elderly senescent person. Hadiza Mohammed is not married and still lives with her parents. When she started acting 15 years ago, neighbours and family members tried to persuade her mother to order her to give it up, but she never forced her daughter to do so.

    Why would you misbehave? Kannywood stars are invited to the UK and the US and big companies organise award ceremonies for us. Also, the Kano-based film industry is providing jobs and business to the city, something that went a long way towards improving public opinion of the profession.

    It helps that major mobile providers such as Glo and MTN have contracted Kannywood stars as their brand ambassadors in multimillion-naira deals. But that does not mean that Hausa movies are entirely uncontroversial. In fact, not more than 10 years ago, a moralistic backlash triggered by a sex scandal almost destroyed the local film industry.

    As is often the case in public fights about morality, the female body was the battleground.

    Top 10 Richest Hausa Movie Actors in Nigeria 2021

    Blue movie In Augusta video taken privately on a mobile phone was leaked online. It showed popular Hausa actress Maryam Hiyana having sex with her boyfriend. The Censorship Board came into existence before the scandal inand is a combined initiative of the local film industry and the state government. It was a response to the adoption of Islamic law in Kano a year earlier. Under the law, filmmaking was under threat of being abolished altogether.

    In order to avoid that, Kannywood voluntarily subjected itself to stricter censorship. He announced stricter guidelines, such as the banning of married women from acting, while also requiring all women in the industry to have a male guardian who would be legally responsible if their ward broke the rules.

    Nigeria-based researcher Carmen McCain, who has extensively studied Hausa films in Kano, describes in an article about that era how the local censorship crisis drove filmmakers out of the state, as thousands of people in the industry were arrested, fined and sometimes jailed.

    The overly zealous KSCB executive lost his moral authority when the police caught him in a compromising situation with a young girl in his car, and Kannywood celebrated when, inthe newly elected governor appointed a new head of the Censorship Board. He is the current executive secretary of the KSCB, and used to be a filmmaker himself. What does that entail exactly? Song and dance are permissible, as long as there is no physical contact between the sexes. Everything — from the script, the rough draft to the final cut and the DVD cover — needs the approval of the board, and if there are any issues, the director will be asked to change a line, a scene or a too-revealing cover picture.

    The secretary-general defines the average of two or three corrections per film the board requires as minimal interference.

    It was produced by Rahama and Sadiq, and directed by Yaseen Auwal. This led to his destruction and the end of his future dream as a youth. Released June 7, Nigeria it was directed by Ali Nuhu. Consequently, Nasir resorts to drugs, turning his highly promising life into a hopeless one.

    Abdul rehabilitates Nasir and graciously sends him to university after his recovery.

    Titsiye Akayiwa Jarumi Sani Sk Akan …. kannywood – Mufeeda Rasheed

    The two separated lovebirds reunite in the university and share an emotional reunion in the end. Karki Manta Dani has grossed about N3.

    Yaki A Soyayya This movie is centred on drug abuse and domestic violence. Nafisa fitted perfectly into her role and made it look as if the script was premeditated to match her acting personality. While an A-list director Dorayi, actor Abdul M. Shareef and the other cast members provided more twists and turns as the scenes of the films unfolded.

    The film has a sub-plot of domestic violence and other social vices that need urgent attention from all and sundry. Yaki A Soyyaya has grossed N2. It also portrays royalty in a funny way to entertain fans.


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